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Entertainment
A photo of Simba and Jason Weaver youtube.com / @thelionking (left); @djvlad (right)

Disney offered a 13-year-old $2M to sing in ‘The Lion King’ — 25x his last paycheck. His mom said no

In the early 1990s, Disney put $2 million on the table for a 13-year-old kid from Chicago to lend his voice to young Simba in The Lion King. By any measure, it was a life-changing offer — about 25 times his biggest paycheck to date. But his mom turned it down.

But he did end up voicing young Simba on the soundtrack of the 1994 animated classic, singing “I Just Can’t Wait to Be King.” And, three decades later, Jason Weaver, now 47, is still getting paid, Fortune reports.

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In a 2019 interview with VladTV, which has since gone viral on TikTok, Weaver explained that his mom and manager, Marilyn “Kitty” Haywood, rejected the lump sum in favor of royalties and roughly $100,000 upfront. That decision has since paid out more than the $2 million she walked away from.

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“When they offered that deal, it was really just to take this money and go,” Weaver told VladTV at the time. “I think they knew and forecasted that they were gonna make a s— ton of money.”

Why $2 million wasn’t enough

At the time, the $2 million felt enormous. Weaver’s previous biggest payday had been around $80,000 for playing a young Michael Jackson.

“That amount of money to an average middle-class family in Chicago in the early ‘90s … That’s something,” he said.

But Haywood had industry experience. According to Fortune, she had performed with the Chicago group Kitty & the Haywoods and backed Aretha Franklin. She also had a sharp eye for Disney’s business model.

Haywood noticed the studio had a long-standing habit of rereleasing its classic films to new generations of audiences, a pattern that dated back to the 1944 Snow White and the Seven Dwarfs’ reissue. She also saw that Lion King was coming off the back of the commercial successes of Beauty and the Beast and Aladdin.

“She was able to see the playing field and go, ‘Wait a minute, this is gonna make a lot of money over time, so what happens when my son turns 40?’” Weaver recalled to VladTV. “‘Is he still gonna be able to get a check from this when they eventually release this?’”.

At the time, Weaver said Disney wasn’t offering royalty deals to newcomers — only to “established huge pop stars.” Pushing for royalties was a real risk. But if Disney was willing to open with $2 million, Haywood reasoned the film was worth considerably more.

She was right. The 1994 Lion King grossed nearly $988.4 million at the worldwide box office, while the 2019 remake pulled in over $1.65 billion. The franchise has since extended into theme parks, merchandise, video games and more.

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As Weaver put it: “(It’s) hundreds of (millions), if not billions of dollars, that they made off of this franchise.”

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The negotiating and money-handling lesson

Weaver admits that, if his mother had simply taken the check, he likely would have blown it. As a teenager, he wasn’t thinking about investing or long-term savings, Fortune reports.

Instead, the royalty structure his mother negotiated did something a one-time payment can’t: It created an income stream that persists, regardless of whether or not Weaver is actively working.

“Honestly, that residual income that I generate — man, that is so helpful,” he told VladTV. “Even nowadays, when I get a check, it’s like, ‘Yes!’”

The arrangement is also inheritable. Weaver negotiated for the royalties to pass to his children, and their children after that — meaning Haywood’s decision in the early 1990s could generate income for generations.

“If she hadn’t done that, that would have been one of the biggest mistakes of my career business-wise,” he added.

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With a writing and editing career spanning over 15 years, Emma creates and refines content across a broad spectrum of industries, including personal finance, lifestyle, travel, health & wellness, real estate, beauty & fitness and B2B/SaaS/tech.

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